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  • Books, Articles, Book Chapters & Creative Works by Baruch College Faculty in 2013

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  • Anderton, A. (2013). Brown Bagging: Quality is Our Recipe. (Disorientalism.) Curated by Jillian Hernandez. Museum of Contemporary Art North Miami, Miami, FL, USA. 2013.

Katherine Behar

  • Behar, K. (2013). Ready Mix. (Disorientalism.) Curated by Jillian Hernandez. The Girls Club Collection Project Space, Miami, FL, USA. 2013.
  • Behar, K. (2013). There’s An App For That Shirt! (Resynplement.) ART NOW Series at Monmouth University. West Long Branch, NJ, USA. 2013.
  • Behar, K. (2013). NATUREHOODFULLESSNESS. Curated by Taisha Paggett. Pieter, Los Angeles, CA, USA.
  • Behar, K. (2013). Street.s/wall.ing/in. Curated by Ombretta Agró for Art Assets. 32 Old Slip, New York NY, USA.
  • Behar, K. (2013). do it (outside) yourself. Curated by Rachel Higgins for do it (outside), curated by Hans Ulrich Obrist. Socrates Sculpture Park, Queens, NY, USA.
  • Behar, K. (2013). Novella Gallery Inaugural Benefit. Curated by Steve Rivera. Novella Gallery, New York, NY, USA.
  • Behar, K. (2013). Decisiveness. Curated by Ruslan Trusewych. Helper, Brooklyn, NY, USA.
  • Behar, K. (2013). King Arthur Rock Opera Green Room. Contribution invited by Andrea Merkx and Nathan Gwynne. NADA Art Fair, New York, NY, USA.
  • Behar, K. (2013). The Wassaic Project Winter Benefit. (Disorientalism) Curated by Eve Biddle, Bowie Zunino and Jeff Barnet-Winsby. Brooklyn, NY, USA.
  • Behar, K. & Ruzanka, S. (2013).  Ungoogleable: In search of digital feminisms. Lateral, 2 (May).
  • Behar, K. (2013). The Problem with Platforms. In M. Little & M. Smith, (Eds.) Future publishing: Visual culture in the age of possibility, Journal of Visual Culture. (March 2013).

Terry Berkowitz

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