Grappling with Hidden Histories:
It's not unusual to find professors who have practiced what they preach at Baruch—
management wizards who teach business strategies learned firsthand in the boardroom
or public affairs gurus who lecture about processes gleaned through years
of civic experience—but TJ Desch-Obi,
assistant professor of African history in the Weisssman School of Arts and Sciences and a practitioner of various martial arts for more than 20 years, is rare even among Baruch's world-wise and well-traveled faculty.
Desch-Obi's research focuses on the
history of combative disciplines in Africa, particularly the martial arts of Central Africa and related practices in the Americas. In that African region, a variety of formalized combat sport bouts and more esoteric martial disciplines —usually practiced in time to musical accompaniments—made talented exponents into athletic superstars, the equivalent of boxing champions or baseball heroes in their day.
What makes these sparsely documented disciplines such an important prism for examining cultural history? Rather than being purely athletic competitions, practice of the arts also played significant religious, political, and even military roles in societies, says Desch-Obi.
"Physical activities like dance and music were central to the African religious experience, [and] knowing how people fought tells us about their social history—their cosmology, gender roles and notions of masculinity, a society's conception of honor, and so on," he explains.
Desch-Obi's primary focus has been on the history of engolo, an acrobatic martial art defined by graceful kicks and gymnastic evasions that originated in southern Angola. Tracing the dissemination of the practice into the Americas between the 17th and 19th centuries, during which the region was perhaps the largest exporter of enslaved Africans, Desch-Obi's research follows the path of the art as it developed into localized forms in North and South America and the Caribbean islands.
The best-known example of these disciplines is the dazzling Afro-Brazilian practice of capoeira, but Desch-Obi points out that related arts were practiced in the United States under the name of "knocking and kicking"; l'adja on the island of Martinique; and various other names in South America. Though they were—and remain—extremely popular practices in these areas, historians have traditionally glossed over their origins and significance.
"Knowing how people fought tells us about their social history—their cosmology, gender roles and notions of masculinity, a society's conception of honor."
"It's a very time-consuming methodology, in that conventional archival research on the topic is like searching for a needle in a haystack. References to the martial arts in archival records are rare—they do exist, but they are few and
far between. I also have to spend a significant amount of time in the field, doing ethnographic participant-observation with living exponents of the arts."
Since his days as an undergraduate at Harvard, Desch-Obi has spent virtually every vacation—including summer, winter, and spring breaks—doing fieldwork and archival research, primarily in areas of Angola, Democratic Republic of Congo, Brazil, Cuba, and Martinique.
He consulted additional records in Portugal and France, among other European locales, while completing his doctoral degree at UCLA, and his dissertation work and most recent research form the basis of his upcoming book, Fighting for Honor (University of South Carolina, 2008).
He credits his interest in the subject to a lineage that includes some celebrated combatants in his own family. "African martial arts have fascinated me as long as I can remember," he says. "My first experience with martial arts was with mgba"—a style of wrestling practiced by the Igbo of eastern Nigeria, where his father's family originates—"and both my father and great-grandfather were famous fighters. For me, it's a labor of love."
Photo portrait by Mario Morgado; fieldwork photo by TJ Desch-Obi